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The Synth-Pop Duo's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell with Marc Almond at Leeds in 1977

The talented musician, a key member of the groundbreaking 1980s synth-pop duo Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the team scored a worldwide hit with their version of Gloria Jones' Tainted Love in 1984, and their debut album their initial full-length release is considered a seminal work of synth-pop.

He subsequently founded the innovative electronic act The Grid, who achieved popular acclaim with 1994's Swamp Thing.

Ball died peacefully in his sleep at his residence in London on Wednesday 22 October, only a short time after performing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

During that show, Ball appeared in a wheelchair, as he had for the last two years, following a spate of health issues.

"I ended up damage myself significantly," he commented in 2023. "I fractured spinal bones in my back and cracked about multiple ribs and broke my arm."

After catching a lung infection and developing sepsis, he was put in an induced coma and stayed in the hospital for seven months.

However, he had been in "high spirits emotionally" over the warmer months, as he worked on a new album with Almond, called Danceteria, which is scheduled for publication next year.

"He was concentrated and very pleased with the new album that we literally finished only a short time ago," stated the singer in a tribute.
"It's so sad as next year was completely planned to be such an uplifting time for him, and I take some solace from the knowledge that he listened to the finished record and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond referred to his collaborator as "a wonderfully brilliant musical genius", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an significant part of my existence and for the music you gave me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, remembering Ball's "endless laughter" and "steadfast support".

"Being in a partnership with someone is different from joining a group, the connection is incredibly close," he continued.
"That's how it was with us. We went through so many remarkable, incredible, memorable experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in 2018

Formative Years

Brought into the world into a one-parent family in the city of Chester in 1959, Ball was given up for adoption when he was 18 months of age.

He was raised in Blackpool with adoptive parents Donald and Brenda Ball, who changed his first name from Paul to David, alongside his younger sister Susan, who was similarly welcomed.

He met Almond at an art college in the late 70s, where they were both learning art. Fuelled by a mutual passion of a music genre, they established Soft Cell the same year, and quickly produced an EP.

Musical Partnership

The duo were an unusual pairing: Ball was the quiet musician, bent over his keyboard, while Almond was a flamboyant performer, all sparkle and eye-liner; but they attained a unique musical alchemy.

Ball had developed a fascination with electronic instruments after watching Kraftwerk perform on a television science show a popular series, and started to combine moody electronic sounds to the soaring melodies Almond was composing.

Tainted Love became the UK's second biggest-selling song of the early 80s, selling 21 million copies globally. Alongside successful tracks by Gary Numan, contemporary bands and electronic acts, it helped paved the path for the electronic music style of the 1980s.

The song was also featured on their first album, Non-Stop Erotic Cabaret, which spawned two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the separate release, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The duo were developing fresh songs right up until Ball's passing

Professional Journey

Success had its benefits. "I loved being able to afford my initial property, having financial security and exploring, which might seem like a Miss World," Ball recently shared with a music magazine.

But it also caused challenges. "Newfound wealth allowed we could purchase newfound drugs to relieve the boredom" of media interviews and TV performances, Ball said.

"I realize that's a common saying, but it's a truism for a valid cause, because it applies for so many musicians."

During the party-filled existence, the duo were also drifting apart, but they succeeded to create a second memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.

They released one more LP, 1984's This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond went on to have a successful solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with ambient pop over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, releasing the charting record Cruelty Without Beauty.

Following a further hiatus, they reappeared in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the large venue on September 30, that year.

However, they stayed active, recording their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball lately characterized the duo's new album as a homage to the New York club scene they frequented while recording their first two albums.

He added that his time in medical care had shaped the band's sound.

"I had unusual memories when I was in and out of the hospital because I was on morphine," he told a music magazine.
"Our latest tracks are a digital reflection of the noises in my mind from those days.
"Simultaneously, it's about the times we got up to in the 80s."

The last versions were finished only days before Ball died. It is due for release in Spring 2026.

By

Heidi Williams

A seasoned journalist specializing in political reporting and media trends, with over a decade of experience in newsrooms.

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